Ra'anan Alexandrowicz's THE INNER TOUR is a deeply affecting documentary that addresses the Middle Eastern conflict with a penetrating eye. The film follows a group of Palestinians as they embark on a three-day bus tour through Israel in 2000, just months before the historical Arab-Israeli war recommenced. What at first appears to be a diverse group of men, women, and children, with a wide range of experiences and backgrounds, quickly gels into a tight unit of countrymen who are living under the shadow of the wealthy, more powerful Israel. Every one of these visitors' lives has been in some way affected by Israel, yet it isn't until a trip to a museum--in which Arabs are presented as cold-blooded murderers--that their anger begins to show. As the journey unfolds, the tourists are forced to confront emotions they didn't know they had in them. The burdensome weight of these feelings turns the trip into more than just a relaxing vacation; it becomes an emotionally draining experience that they will carry with them for the rest of their lives. Alexandrowicz uses this rare opportunity to his advantage by showing just how hopelessly convoluted the Middle Eastern conflict actually is.

This film was included in the 31st New Directors/New Films 2002 series presented by The Film Society of Lincoln Center and The Department of Film and Media of The Museum of Modern Art in New York City.

Ra'anan Alexandrowicz's THE INNER TOUR is a deeply affecting documentary that addresses the Middle Eastern conflict with a penetrating eye. The film follows a group of Palestinians as they embark on a three-day bus tour through Israel in 2000, just months before the historical Arab-Israeli war recommenced. What at first appears to be a diverse group of men, women, and children, with a wide range of experiences and backgrounds, quickly gels into a tight unit of countrymen who are living under the shadow of the wealthy, more powerful Israel. Every one of these visitors' lives has been in some way affected by Israel, yet it isn't until a trip to a museum--in which Arabs are presented as cold-blooded murderers--that their anger begins to show.    more...