Teri and Shawn live in a self-imposed time bubble of romance caught somewhere between the 1950’s and the 1980’s. Their looks, their home and even their lifestyle all fit the format. Teri looks like Marilyn Monroe and Shawn looks like Joe Strummer from The Clash. Aesthetics are a big part of identity.

The story told is a journey into the The DeVilles' universe, where two people don’t want to grow up and define themselves by their symbiotic love. Their lives are so fused there are only a few boundaries left. The main characters Teri and Shawn are controlled by a love addiction which is not without consequences and which can turn out to be rather self-destructive. In their twosomeness jealousy and attempts to control each other often arise.

How do you break up such a glamorous and consumed life? The film shows different nuances just as their love does; vehemence, ugliness, beauty, and tenderness.