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Icons Among Us

DIRECTED BY - Lars Larson, Michael Rivoira, Peter J. Vogt

What is IndiePix On-Demand?

Icons Among Us: Jazz in the Present Tense, a comprehensive four-part documentary film series, looks at the Jazz music scene today. Through interviews, performance footage, and the voices of the musicians themselves, we explore this music and the divergent influences that are shaping the world of Jazz at the beginning of the 21st Century. Not a historical look at what has been called America's Music but a timely, vibrant trip through the clubs, festival, and the lives of this new generation of jazz musicians. Never before has jazz music been so many different things to so many different people, from hip hop to bebop, and jam band to free form, the music continues to grow and shape itself in ways as varied as the musicians who play it. Icons Among Us is a look at all of this and more.

other videos:
Official Trailer, Episode 1 - Teaser, Episode 2 - Teaser, Episode 3 - Teaser, Episode 4 - Teaser


Film Info

RUNTIME - 90 minutes

RATING - Not Rated

YEAR - 2009

COUNTRY - United States

LANGUAGE - English

ATTRIBUTES - Color, Full-Frame


Over Two Hours of Special Features including: Performances by Donald Harrison, Jr. Quartet, Bill Frisell Trio, Matthew Shipp, 2011 Grammy® Nominee Danilo Perez, Dafnis Prieto Sextet, The Bad Plus, Brian Blade & The Fellowship Band, Jacob Fred Jazz Odyssey, e.s.t., The Roy Hargrove Quintet and Bugge Weseltoft.; In Depth Profiles of advocates: JAZZREACH, EARSHOT JAZZ and JAZZ FOUNDATION OF AMERICA; 64-page Study & Discussion Guide (CD-ROM).

Click To Download A Sample of The Study Guide

Danilo Perez Himself
Herbie Hancock Himself
Dave Holland Himself
Esperanza Spalding Herself
Vijay Iyer Himself
Wynton Marsalis Himself
Jason Moran Himself
Miguel Zenon Himself


Lars Larson


Michael Rivoira


Peter J. Vogt


Peter J. Vogt


Kristian Hill


Kristian Hill



"'Icons' includes much well-filmed footage of musicians performing and rehearsing in clubs and studios. They include Terence Blanchard (who also serves the role of wise elder); Jason Moran; the Bad Plus; and Medeski, Martin and Wood. These purely musical sequences are the major attraction of the program: they indicate what current jazz musicians are actually up to."

-- Ben Ratliff, New York Times

"Gifted trumpeter Terence Blanchard sets the tone for perhaps the entire series when he says, 'There's a quiet revolution going on in jazz . . . the quietest revolution I've ever heard in my life.' With the help of this documentary and a little luck, perhaps the revolution will get just a little bit louder."

-- Chris Barton, Los Angeles Times Music Blog

"...inter-connectivity between the older and younger generation of players, and between the musician and listener, creates the hybrid, that experience that is bigger than the sum of the parts. And Icons' creators feel that the documentary's viewers will never look at jazz in the same way. (Executive Producer) Comerford explains further. 'Other than Hollywood movies, there isn't much out there that can draw an inter-generational audience... The jazz musician is discovering something in the 'dialogue' (playing with the group) and 'monologue' (solo), so every feeling that the musician is experiencing, the audience experiences too. When the 'loop' is created, the discovery is utterly authentic and extremely powerful. It communicates 'meaning,' something people need more now than ever.'"



Customer Reviews


0 of 0 people found this review useful

starstarstarhalf a starjazz as a pursuit of truth

written by theaaronlib on Jun 29th, 2010read all my reviews

this review is from: Icons Among Us (DVD)

Icons Among Us is a film that examines how the jazz scene has survived the splintering fractions of sub-genres and low record sales brought on by present times. This film examines what happens when a music genre lives past it's original cohesive values and sound. As the film progresses, we begin to understand what has held jazz together as a style in modern times is it's ability to adapt and to improvise. While other genres feast on certain ideals and are associated with certain political and social movements, for example punk rock, modern day jazz has moved passed such earthly bonds, rather it has only stayed true to its founding principle of improvisation, of change. In the film there is one quote from Terance Blanchard that reverberated in my head throughout the movie, it was: "the only truth is the truth that constantly changes". Time has simplified jazz, as we see the mosaic of different present day artists playing their own type of jazz we see that jazz has simplified into a basic pursuit of truth. It has become an eternal genre, because while other music genres die once their social establishment falls, jazz does not owe its existence to any sort of outside establishment.

In an era where music is dealing with everything but a depiction of truth, this film reminds us of the value of the pursuit of the elusive and ever changing truth. The ideal of music does not include the use of music as a tool for social change, nor does it define music as devotion towards it's own tradition and nor is it a tool for self identification. Rather music at it's best is a way to search for truth, a way to explain the world. So in the end this film does more than just illuminate todays jazz scene, it illuminates what is lacking in the entire modern music scene.

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