The first film ever to tell the story of the Army's all African-American Buffalo Soldier unit, MIRACLE AT ST. ANNA is inherently an important film. Yet rather than allow it to stand on its own as simply a war picture starring African-American actors, Lee takes on myriad social and historical discussions. Based on the novel of the same name by James McBride (who also wrote the script), the movie follows four soldiers as they take refuge in an Italian village after being cut off from their platoon. There are various supernatural elements to the film, the most pronounced of which is a mysterious statue head that one soldier acquires and refuses to part with. There's also a framing device involving a murder nearly 40 years after the conclusion of the war; add to that a subplot involving the Italian resistance movement, and it's easy to get a bit lost in this Byzantine tale. Still, Lee is never anything less than passionate about his subjects, and with MIRACLE AT ST. ANNA he brings that fire to a story that took decades to come to the big screen. Perhaps not the most definitive "Spike Lee Joint," MIRACLE remains a noteworthy film in the canon of one of America's most important filmmakers.